ERIC GADSBY, WORKS 1966-1976 & BRIDGET RILEY WORKS ON PAPER

20 March - 24 April 2015

Including works by:
Eric Gadsby, Bridget Riley

Austin / Desmond Fine Art presents an exhibition of paintings by Eric Gadsby, the earliest of which were included in Bryan Robertson’s seminal 1966 exhibition: The New Generation held at the Whitechapel Gallery. Gadsby’s work was also included in Robertson’s 1968 Whitechapel show titled Interim, where he invited each artist from the previous show to select a single work.

The New Generation exhibition series saw the most innovative British artists explode onto the UK art scene; including David Hockney, Bridget Riley, John Hoyland, Phillip King and William Tucker among others. “British art in particular has suddenly woken out of a long provincial doze, is seriously entering international lists and winning prestige for itself” (Bryan Robertson, The New Generation, Whitechapel Gallery, London, 1964).

Eric Gadsby’s large scale, bold abstract paintings are oil paint on cotton duck canvas and progress from the constraints of a traditional straight sided stretcher to shaped stretched canvases. The surfaces are painted in thin layers, carefully worked over, creating seamless transitions between colours and giving the impression of 3-dimensionality as well as a having seductive and powerful visual effect.

By the 1980s difficult circumstances had arisen in Gadsby’s life that interfered with further development of his work. Like so many artists of Gadsby’s generation, the lack of arts patronage in Britain limited the success and international recognition that many of these artists deserved in what was an exciting moment in art history. The exhibition shows a selection of paintings from the period 1966-1976 which have not been seen or unwrapped for over 30 years.

Exhibitions include 1964-66 Young Contemporaries, London (Arts Council touring exhibitions  1964 and 1966), 1965 John Moores Liverpool Exhibition, Walker Art Gallery, Liverpool 1966 The New Generation: 1966, Whitechapel Gallery and subsequent tour, 1968 Leicestershire Collection: Part II, Whitechapel Gallery, 1968 New Generation: Interim: Exhibition of Painting, Whitechapel Gallery, John Moores Liverpool Exhibition, Walker Art Gallery, Liverpool 1969/70

The show is accompanied by an exhibition of Bridget Riley, a co-exhibitor in the New Generation exhibition series, Works on Paper from 1966 to 1982.

Austin / Desmond Fine Art presents an exhibition of paintings by Eric Gadsby, the earliest of which were included in Bryan Robertson’s seminal 1966 exhibition: The New Generation held at the Whitechapel Gallery. Gadsby’s work was also included in Robertson’s 1968 Whitechapel show titled Interim, where he invited each artist from the previous show to select a single work.

 

The New Generation exhibition series saw the most innovative British artists explode onto the UK art scene; including David Hockney, Bridget Riley, John Hoyland, Phillip King and William Tucker among others. “British art in particular has suddenly woken out of a long provincial doze, is seriously entering international lists and winning prestige for itself” (Bryan Robertson, The New Generation, Whitechapel Gallery, London, 1964).

 

Eric Gadsby’s large scale, bold abstract paintings are oil paint on cotton duck canvas and progress from the constraints of a traditional straight sided stretcher to shaped stretched canvases. The surfaces are painted in thin layers, carefully worked over, creating seamless transitions between colours and giving the impression of 3-dimensionality as well as a having seductive and powerful visual effect.

 

By the 1980s difficult circumstances had arisen in Gadsby’s life that interfered with further development of his work. Like so many artists of Gadsby’s generation, the lack of arts patronage in Britain limited the success and international recognition that many of these artists deserved in what was an exciting moment in art history. The exhibition shows a selection of paintings from the period 1966-1976 which have not been seen or unwrapped for over 30 years.

 

Exhibitions include 1964-66 Young Contemporaries, London (Arts Council touring exhibitions  1964 and 1966), 1965 John Moores Liverpool Exhibition, Walker Art Gallery, Liverpool 1966 The New Generation: 1966, Whitechapel Gallery and subsequent tour, 1968 Leicestershire Collection: Part II, Whitechapel Gallery, 1968 New Generation: Interim: Exhibition of Painting, Whitechapel Gallery, John Moores Liverpool Exhibition, Walker Art Gallery, Liverpool 1969/70

 

The show is accompanied by an exhibition of Bridget Riley, a co-exhibitor in the New Generation exhibition series, Works on Paper from 1966 to 1982.

Austin / Desmond Fine Art presents an exhibition of paintings by Eric Gadsby, the earliest of which were included in Bryan Robertson’s seminal 1966 exhibition: The New Generation held at the Whitechapel Gallery. Gadsby’s work was also included in Robertson’s 1968 Whitechapel show titled Interim, where he invited each artist from the previous show to select a single work.

The New Generation exhibition series saw the most innovative British artists explode onto the UK art scene; including David Hockney, Bridget Riley, John Hoyland, Phillip King and William Tucker among others. “British art in particular has suddenly woken out of a long provincial doze, is seriously entering international lists and winning prestige for itself” (Bryan Robertson, The New Generation, Whitechapel Gallery, London, 1964).


Eric Gadsby’s large scale, bold abstract paintings are oil paint on cotton duck canvas and progress from the constraints of a traditional straight sided stretcher to shaped stretched canvases. The surfaces are painted in thin layers, carefully worked over, creating seamless transitions between colours and giving the impression of 3-dimensionality as well as a having seductive and powerful visual effect.


By the 1980s difficult circumstances had arisen in Gadsby’s life that interfered with further development of his work. Like so many artists of Gadsby’s generation, the lack of arts patronage in Britain limited the success and international recognition that many of these artists deserved in what was an exciting moment in art history. The exhibition shows a selection of paintings from the period 1966-1976 which have not been seen or unwrapped for over 30 years.


Exhibitions include 1964-66 Young Contemporaries, London (Arts Council touring exhibitions  1964 and 1966), 1965 John Moores Liverpool Exhibition, Walker Art Gallery, Liverpool 1966 The New Generation: 1966, Whitechapel Gallery and subsequent tour, 1968 Leicestershire Collection: Part II, Whitechapel Gallery, 1968 New Generation: Interim: Exhibition of Painting, Whitechapel Gallery, John Moores Liverpool Exhibition, Walker Art Gallery, Liverpool 1969/70

The show is accompanied by an exhibition of Bridget Riley, a co-exhibitor in the New Generation exhibition series, Works on Paper from 1966 to 1982.

 

Austin / Desmond Fine Art presents an exhibition of paintings by Eric Gadsby, the earliest of which were included in Bryan Robertson’s seminal 1966 exhibition: The New Generation held at the Whitechapel Gallery. Gadsby’s work was also included in Robertson’s 1968 Whitechapel show titled Interim, where he invited each artist from the previous show to select a single work.

 

The New Generation exhibition series saw the most innovative British artists explode onto the UK art scene; including David Hockney, Bridget Riley, John Hoyland, Phillip King and William Tucker among others. “British art in particular has suddenly woken out of a long provincial doze, is seriously entering international lists and winning prestige for itself” (Bryan Robertson, The New Generation, Whitechapel Gallery, London, 1964).

 

Eric Gadsby’s large scale, bold abstract paintings are oil paint on cotton duck canvas and progress from the constraints of a traditional straight sided stretcher to shaped stretched canvases. The surfaces are painted in thin layers, carefully worked over, creating seamless transitions between colours and giving the impression of 3-dimensionality as well as a having seductive and powerful visual effect.

 

By the 1980s difficult circumstances had arisen in Gadsby’s life that interfered with further development of his work. Like so many artists of Gadsby’s generation, the lack of arts patronage in Britain limited the success and international recognition that many of these artists deserved in what was an exciting moment in art history. The exhibition shows a selection of paintings from the period 1966-1976 which have not been seen or unwrapped for over 30 years.

 

Exhibitions include 1964-66 Young Contemporaries, London (Arts Council touring exhibitions  1964 and 1966), 1965 John Moores Liverpool Exhibition, Walker Art Gallery, Liverpool 1966 The New Generation: 1966, Whitechapel Gallery and subsequent tour, 1968 Leicestershire Collection: Part II, Whitechapel Gallery, 1968 New Generation: Interim: Exhibition of Painting, Whitechapel Gallery, John Moores Liverpool Exhibition, Walker Art Gallery, Liverpool 1969/70

 

The show is accompanied by an exhibition of Bridget Riley, a co-exhibitor in the New Generation exhibition series, Works on Paper from 1966 to 1982.

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